Thursday, October 9, 2008

Johannes Vermeer The Concert painting

Johannes Vermeer The Concert paintingGustave Courbet The Origin of the World paintingGustave Courbet Plage de Normandie painting
then at something queer, that he had never seen before, on the bedside table, a tangle of brown beads and a little cross; through her breathing he began once more to hear the quarreling sparrows; he said to himself: dead, dead, but all he could do was see and hear; the streetcar raised and quieted its grim, iron cry; he became aware that his cap was pushed crooked against her and he felt that he ought to take it off but that he ought not to move just now to take it off, and he knew why his Aunt Hannah had been so mad at him. He could no longer hear even a rumor of the streetcar, and his mother’s breathing had become quiet again. With one hand she held Catherine still more closely against her, and Catherine sniffled a little more comfortably; with the other hand she put Rufus quietly away, so that she could look clearly into his eyes; tenderly she took off his cap and laid it beside her, and pushed the hair back from his forehead. “Neither of you will quite understand for a while,” she said. “It’s—very hard to understand. But you will,” she said (I do, he said to himself; he’s dead. That’s

No comments: